What
Makes A Good Entertainer?
by: Kim Wist
Hi everyone!
My name is Kim Wist and I’m
a professional magician from Finland.
Finland is a rather small country,
and we have only about 10 professionals
who make their living on performing
magic.
Despite this above mentioned fact,
I do around 150 gigs per year, and
that is about as much as I can handle.
I have been around the world in
many magic conventions and seen
a lot of good performers and sleight
of hand artists, but the big question
remains; why do some make a living
performing this art, and other don’t.
Is it personality?
To some extent I would say yes,
definitely. You have to be an open
person and you must find it easy
to communicate with people. Let’s
say you do close up magic (which
I strongly suggest you should also
do if you want to make a good living
in magic) but you find it difficult
to confront people up close. This
will obviously make you somewhat
unnatural and the audience senses
this very quickly.
It is of vital importance for a
performer to be very bold, strong
but at the same time sophisticated
and not too aggressive. It is very
important to be able to read the
audience correctly and to ‘tune
in’ into the audience.
A performer is not just anybody.
He is someone people are used to
look up to, give him the space and
enjoy the ride. But if the ride
is not enjoyable and the performer
is uncomfortable it will end up
very quickly.
Is it my technique?
The skill of the performer is also
very important. A skillful performer
always gets credited, take for example
a good juggler; it is enjoyable
to watch he’s pure skill and
the excitement of the art.
So being skillful is also important
and will add up to the total entertainment
value. This should also not be overused
and never just show off, blend skill
into the performances with taste.
We are speaking of the whole package
here and that is what people are
going to remember.
What magic style should I choose?
Well, obviously the one that suits
you best, but there can be variations
and exceptions.
What I do, is mixing comedy and
magic. This is very common and many
do this, but you need to be very
good and very funny to make it really
pay off.
Let me give you an example:
I used to perform more seriously,
but I also wanted to have comedy
in my shows. I ended up being confusing
and probably not funny at all. I
thought that the tricks I do will
make people wonder and it is not
so important what I say. Still after
many performances I felt confused
and lost. I haven’t found
my stage person, and I did not get
the reactions I knew were possible.
Then I saw a younger friend of
mine perform in a magic competition.
He was so funny I could not believe
it, the audience loved him and he
was having a good time on stage.
This was a big lesson for me.
I started to work with my program
from scratch and really going through
every second of it. What I say,
how do I look, what gestures etc.
I had always on my mind my goal,
which was to do good quality tricks
but to be very funny at the same
time. I rehearsed my show over and
over and left out parts that did
not really work and finally ended
up with a 15 minutes of solid material.
I went to gig with this material
and the response was amazing. People
laughed, enjoyed themselves, and
wanted to get my cards more than
ever…
I knew I was on the right path.
Then I started to do the same to
my close up magic. I was always
a more natural close up worker than
a stage performer, but I took my
close up to another level also.
Finally I had a stage personality
and I knew what I was doing and
what I wanted to do.
What a relief and how nice it felt
doing gigs and make people happy.
That is the secret how I get so
many bookings.
Marketing is important, but the
most important is the gigs you do,
because there is always someone
in the audience who is arranging
a party in the near future and need
a good entertainer. And the word
gets around. Many times when a new
customer calls me, he says he got
a reference from somebody else who
had seen me somewhere.
Customers want to get a good performer,
because we all experienced the annoyed
feeling a bad performer generates
and if you do corporate magic you
will never be booked again if you
do a bad job.
Summing it up; be natural with
people, practice your art, practice
and review your show and don’t
risk anything. Have a complete script
for your show and follow it.
Keep improving and the gigs will
come.
I hope you found something of value
in this short article and wish you
good luck and happy performances.
Author's website: http://www.kimwist.com/